Sunday, 1 November 2026

8. Back at the White Heron

The lane brought us out beside the river, a short distance upstream from the village. We crossed a little wooden footbridge and followed the familiar path towards the inn.

The evening light had turned the windows golden. Someone was playing a fiddle inside, and the smell of roasting meat drifted into the street.

The innkeeper was standing in the doorway.

"Ah," he said. "There you are."

"We've been exploring."

"So I gathered."

He looked at us with an expression that suggested he knew precisely where we had been, though he made no mention of it.

"Did you find the garden?"

"We did."

"And Anwen?"

"Yes."

"Good. She doesn't always receive visitors."

I asked him about the house we had seen reflected in the pond.

For the first time since we had met him, he seemed genuinely interested.

"The house with the red door?"

"Yes. Do you know it?"

He looked towards the river.

"I know of it."

"Where is it?"

"Well, that's the difficulty."

He considered this for a moment.

"Somewhere in the valley, I suppose."

"Have you ever visited it?"

"Once."

"When?"

He smiled.

"Before I came to live here."

I waited for him to say more, but he opened the door instead.

"Come inside. Supper is nearly ready."

The common room was busy. The farmers we had seen the previous evening were playing cards near the hearth, and the elderly woman by the window was now engaged in an animated discussion with a young man about the best way to prune pear trees.

The innkeeper brought us a jug of wine.

"Tonight's offering," he announced, "comes from a vineyard beyond the southern ridge."

"Is it a good year?"

"An excellent year."

"Does the vineyard really exist?"

He gave me a mildly offended look.

"Of course it does. I wouldn't serve imaginary wine."

I laughed.

He poured our glasses.

Then, as he turned to leave, he paused.

"By the way, if you see a house with a red door tomorrow, don't knock."

"Why not?"

"Because someone might answer."

He walked away.

I looked at my companion.

The fiddle had stopped playing. Outside, the river murmured beneath the bridge, and somewhere in the village a dog barked twice.

Then the innkeeper returned with supper.

"Now," he said, setting down the plates, "what would you like to know about the valley?"

He pulled up a chair.

"For once, I have a little time."

7. The Lane Beyond the Orchard

The wooden gate stood slightly ajar.

Beyond it, the lane ran between high hedges of hawthorn and hazel. The ground was soft beneath our feet, and the air carried the scent of wet leaves. Every so often a gap in the hedge offered a glimpse of the valley, though the views seemed strangely inconsistent.

At one point we could see the river far below us. A little farther on, it appeared to be running alongside the lane.

We passed a stone trough filled with rainwater. A blackbird was bathing in it.

"Do you know where this lane goes?" I asked Elian.

"Yes."

"Where?"

"That's what we're going to discover."

I looked at Rowan.

He was examining a small wooden marker fixed to a tree.

"What does it say?"

He brushed away some moss.

"Nothing."

There were, however, three small carvings: a leaf, a key and a crescent moon.

"Do they mean anything?" I asked.

"Not to me," he replied.

Elian smiled.

"They're the marks of the old gardeners."

"Are there many of them?"

"Enough."

"Where do they live?"

She pointed towards the hedge.

"Somewhere beyond it."

We continued.

After a while the lane began to descend, and the hedges gave way to a low stone wall. Beyond it lay a garden unlike the orchard.

There were no neat rows of trees here. Instead, the garden seemed to have grown according to its own arrangements. Broad-leaved plants crowded around old stone steps. Vines climbed the walls and disappeared over the top. A narrow stream crossed the grass, divided around a group of boulders, then reunited on the other side.

And there, near the centre, stood a large tree with a hollow in its trunk.

A woman was sitting on a bench beneath it, reading a book.

She looked up as we approached.

"Elian," she said. "You've brought visitors."

"Two of them."

"Have they been to the orchard?"

"Yes."

"Have they met Merrick?"

"Yes."

The woman closed her book.

"Then they're probably ready."

"Ready for what?" I asked.

She regarded me with a pleasant expression.

"For the garden, of course."

She introduced herself as Anwen.

I asked whether she lived there.

"Not exactly," she said. "I come here quite often."

"Does anyone look after the garden?"

"Look after it?"

She glanced around.

"Well, it looks after itself rather well."

She rose and walked towards the stream.

"Come. There's something I'd like you to see."

We followed her to a small pond beneath a spreading tree.

The water was perfectly still, although the stream flowed into it at one end and out at the other.

Anwen pointed towards the centre.

"Look carefully."

At first I saw only the reflection of the branches overhead.

Then I noticed a small building reflected in the water.

It was a house with a red door and a chimney from which smoke was rising.

I looked around.

There was no house anywhere nearby.

"Do you know it?" Anwen asked.

"No."

She nodded.

"Not yet, then."

The reflection shifted slightly.

For a moment I thought I saw someone standing in the doorway.

A figure wearing a dark green coat.

Then the water became still again.

Anwen closed her book and tucked it beneath her arm.

"Well," she said, "I think that's enough for one visit."

"Will we see you again?"

"Oh, certainly."

"When?"

She smiled.

"When you come back."

We turned towards the lane.

It was still there, though I could have sworn it had been considerably shorter on the way in.

Rowan was waiting beside the gate.

"Did you see the house?" he asked.

"Yes."

He nodded.

"Good. Then it's still there."

"What is it?"

He shrugged.

"Nobody knows. But it's been there for a very long time."

He opened the gate for us.

"Come along. I expect the innkeeper will be wondering where you've got to."

6. The Potting House

Elian pushed open the gate.

The building was smaller than it had appeared from the bridge. Its walls were made of old stone, and the roof was thick with moss. A climbing rose had found its way around the doorway, although it had no flowers.

Inside, the air was cool and smelled of damp earth, leaves and something faintly sweet.

A man stood at a long wooden bench, sorting packets of seeds. He was perhaps sixty, with a broad face, untidy grey hair and a rather magnificent waistcoat.

He looked up.

"Ah. There you are."

He addressed us as though we had arranged to meet him.

"I'm afraid we're not quite sure why we're here," I said.

"That doesn't matter. Most people aren't."

He returned to his seeds.

"My name is Merrick. I look after the things that grow here."

"Like Elian?"

He glanced towards her.

"Elian looks after the things that grow where they shouldn't."

"That's a rather unfair description," she said.

"Is it?"

"Yes. I also look after things that grow exactly where they should."

Merrick gave a thoughtful nod.

"Occasionally."

Rowan placed his basket on a shelf.

"Have you finished arguing about the garden?"

"We weren't arguing," Elian said.

"No, of course not."

Merrick took a small wooden box from beneath the bench and opened it.

Inside were several dozen seeds, each different from the others. Some were black and glossy, others pale and almost transparent. One seemed to have a faint green light beneath its skin.

"Would you like to see something?" he asked.

We gathered around the bench.

He picked up a small seed and placed it in a clay pot filled with dark soil.

"Now, this one is rather unusual."

He poured a little water over it.

Nothing happened.

"Perhaps it needs more time," I suggested.

"Perhaps."

Merrick looked at Elian.

"Have you told them about the garden beyond the orchard?"

"Not yet."

"Well, perhaps you should."

She looked towards us.

"There's another garden, on the far side of the valley. Nobody tends it, although it continues to grow. There are trees there that bear fruit in winter, flowers that open only in rain, and a little pond where the water sometimes runs uphill."

"That sounds rather wonderful," I said.

"It is."

"Can we visit it?"

"Certainly."

She paused.

"Though you may have to find it first."

Merrick smiled.

"That's the difficult part."

Then, quite unexpectedly, the seed in the pot split open.

A tiny green shoot appeared.

Merrick leaned forward.

"Well, well."

He looked almost delighted.

"That's early."

"What's early?" I asked.

"The spring."

"But it's autumn."

He examined the little shoot.

"Yes. That's why I said it was early."

Elian looked at it for a long moment.

Then she turned to us.

"I think you should visit the garden beyond the orchard."

"Why now?"

She smiled.

"Because something there has begun to grow."

We left the potting house a little later.

The sunlight had changed. The orchard seemed quieter, and the old silver-grey tree was no longer visible between the branches.

We crossed the bridge.

But when we reached the other side, we stopped.

The path back to the inn was gone.

In its place stood a narrow lane bordered by tall hedges. At the far end, we could see a little wooden gate.

Rowan examined it.

"That's inconvenient," he said.

Elian looked quite pleased.

"Not at all. That's the way."

5. The Basket-Mender and the Woman in Green

We found the man beneath the old apple tree, still working on his basket.

He had almost finished the handle.

"Excuse me," I said. "We wondered whether you could tell us something about the young woman we met further down the orchard."

He looked up, then followed our gaze towards the flowering tree.

"Ah. You met her, then."

"Do you know her?"

"Most people do."

He pulled a strand of willow through the basket's rim.

"Though not everybody remembers doing so."

"Does she live here?"

He laughed softly.

"That's a difficult question. She has a house, certainly. I've seen it. But I've never been able to tell you where it is."

"Is she connected with the orchard?"

"Rather more than I am."

He examined the handle and nodded approvingly.

"She looks after the trees that haven't quite decided what they are going to become."

I glanced towards the flowering tree.

"And the apples?"

"Ah. Those are a different matter."

He put down his basket.

"People come here looking for something. Sometimes they find it. Sometimes they discover that what they were looking for has been waiting for them."

He seemed about to say something more, but the young woman appeared between two pear trees.

"You've been talking about me again," she said.

"Only because they asked."

"You always say that."

"Because it's usually true."

She turned to us.

"Have you been introduced?"

"Not properly."

"Then I'm Elian."

She held out her hand. Her manner was entirely ordinary, which somehow made her surroundings seem stranger.

"And this is Rowan," she added, indicating the basket-mender.

"We have met," Rowan said.

"Not in the way I meant."

He sighed.

"She does that."

Elian smiled.

"Rowan makes baskets. I look after the orchard. Between us, we manage to keep things in their proper places."

"Do you?" Rowan asked.

"More or less."

She turned towards the silver-grey tree.

"Although some things are better left where they are."

I asked her about the three apples.

She regarded us thoughtfully.

"They're not really apples."

I waited.

"Well, they are apples," she added. "But that's not quite the same thing."

Rowan shook his head.

"You're making them sound mysterious again."

"They were mysterious before I arrived."

"That's what you always say."

Elian ignored him.

"Come. I'll show you something."

She led us away from the flowering tree, along a path that descended towards the river. Rowan picked up his basket and followed.

After a little while, we came to a small wooden bridge. On the other side stood a low stone building, almost hidden beneath ivy.

"What's that?" I asked.

"The old potting house," Elian replied.

"Does anyone use it?"

"Sometimes."

"Who?"

She looked at me.

"People who have something to plant."

Rowan stopped at the bridge.

"I wouldn't go in there today," he said.

"Why not?" I asked.

"Because yesterday it wasn't there."

Elian turned towards him.

"That's not quite true."

"Isn't it?"

"No. Yesterday it was somewhere else."

She opened the little gate.

"Come along. There's someone I'd like you to meet."

From inside the building came the sound of a spade striking stone.

And then a voice called:

"Elian? Have they arrived?"

She smiled.

"Yes," she replied. "Both of them."

4. The Orchard Behind the Garden

Breakfast at the White Heron was a substantial affair: fresh bread, butter, honey, soft cheese, eggs, and a pot of tea that seemed to refill itself whenever we weren't looking.

The innkeeper was unusually cheerful.

"Going to the orchard, I hear?"

"We were advised to visit."

"By the lady at the window?"

"Yes."

"Ah. Then you must."

He placed a small dish of preserves on the table.

"Plum," he said. "From the orchard."

"Is it a very old orchard?"

He thought about this.

"Some of the trees are. Others are considerably younger."

"How many?"

"That depends on whether you count the ones that haven't been planted yet."

I looked at my companion.

The innkeeper seemed perfectly satisfied with his answer.

After breakfast, we crossed the little garden behind the inn. It was enclosed by an old stone wall, with herbs growing in raised beds and roses climbing around the windows. At the far end stood a narrow wooden gate.

Beyond it, the orchard descended gently towards the river.

The trees were of different ages and varieties. Some were gnarled and hollow, their branches spreading low over the grass. Others were young and slender, with pale trunks and delicate leaves. There were apple trees, pear trees, and one magnificent old plum whose branches almost touched the ground.

A narrow path wound between them.

We had not gone far when we noticed a man sitting beneath an apple tree, mending a wicker basket.

He looked up.

"Good morning."

"Good morning."

"You're staying at the inn?"

"We are."

"Then you've come at the right time."

"For what?"

He considered the question.

"For the orchard, I suppose."

He returned to his basket.

We walked on.

Near the bottom of the slope stood a tree unlike the others. Its trunk was smooth and silver-grey, and its branches were covered in small white blossoms, although the other trees were already in leaf.

Beneath it stood a little wooden table.

On the table lay three apples.

One was red, one green, and one golden.

Beside them was a folded piece of paper.

I opened it.

There were only two lines:

One is for the journey you have made.

One is for the journey you have yet to make.

We looked at the apples.

"Which one do you suppose we should take?" I asked.

Before my companion could answer, a voice behind us said:

"That rather depends on whether you've come together."

We turned.

A young woman stood beside the tree. She wore a dark green coat and carried a small basket of white flowers.

She smiled.

"People often make that mistake."

"What mistake?"

"Thinking that arriving together means they've travelled the same road."

She placed her flowers on the table.

"Don't worry. The orchard is quite accustomed to it."

Then she picked up the golden apple, examined it, and returned it to its place.

"Not quite ready," she said.

And with that she walked away between the trees.

We stood for a while beneath the flowering branches.

Somewhere beyond the orchard, a bell rang. From the river came the sound of someone singing.

I noticed that the folded paper had changed.

There was now a third line:

The other is already here.

3. An Evening at the White Heron

The innkeeper brought us a second jug, this one containing a dark red wine with a faintly fruity smell.

"From the southern hills," he explained. "A good year."

He poured a little into each glass.

"To our arrival," I said.

"To your staying," he replied.

We settled beside the fire.

As the evening progressed, the room gradually filled. Two farmers came in from the fields, followed by a woman carrying a bundle of freshly cut herbs. An elderly couple occupied the table nearest the window. They seemed to have been arguing about something for quite some time, although neither appeared particularly displeased.

A large, brown dog slept beside the hearth.

At one point, the innkeeper came over with a platter of warm bread and cheese.

"Have you been here before?" I asked him.

"Here?"

"In this inn."

He looked around the room.

"Every day."

I laughed.

"No, I mean, how long have you been keeping it?"

He considered the question.

"Long enough to know that the roof leaks above the eastern staircase, the cellar door sticks in damp weather, and the third stair from the top makes a noise that wakes the guests in the room at the end of the corridor."

"That's quite a long time."

"Not necessarily."

He took our empty jug.

"Some things take longer than others."

Before I could ask what he meant, the elderly woman by the window called him over.

"Have you seen the weather?"

He looked outside.

"Yes."

"Well?"

"It appears to be raining."

She gave him a disapproving look.

"That's not what I meant."

He smiled.

"No. I suppose it isn't."

She turned to us.

"First time in the valley?"

"Yes."

"Then you should visit the garden tomorrow. The old trees are quite something."

"Which trees?"

She looked towards the innkeeper.

"Has he shown you the garden?"

"Not yet."

"Then he hasn't done his duty."

The innkeeper raised his hands.

"I have only just met them."

"That's no excuse."

She turned back to us.

"There's a little gate at the bottom of the garden. It opens onto the old orchard. Don't be surprised if you find someone there."

"Someone?"

"Well, naturally. It's an orchard."

She returned to her conversation.

Later, when the room had grown quieter, the innkeeper brought us another small jug.

"Compliments of the house," he said.

"That's very kind."

"Not at all. You may need it."

"Need it?"

He looked towards the dark window.

"Tomorrow is a good day for walking."

He paused.

"Or it was, last time I looked."

Then he went back to the counter.

Outside, the rain had stopped. The river shone beneath the moon, and somewhere beyond the village a bell sounded once.

The dog lifted its head, listened, and went back to sleep.

I raised my glass.

"To tomorrow?"

The innkeeper, without looking up from his polishing, raised his own.

"To whatever it brings."

And for the moment, that seemed quite sufficient.

2. The Inn by the Bridge

The inn stood a little way beyond the bridge, where the village road widened into a small square.

It was an old building, though not particularly large. Its lower walls were built of grey stone, and the upper storey projected slightly over the street. Ivy climbed around the windows, and a wooden sign hung above the door. It showed a white heron standing in shallow water.

There was no name beneath it.

We entered.

The first thing I noticed was the warmth. A fire burned in a broad hearth, and the room smelled of woodsmoke, bread and something savoury simmering in a pot. There were perhaps half a dozen people seated at the tables, talking quietly. Nobody seemed surprised to see us.

Behind the counter stood a tall, thin man with silver hair. He was polishing a glass.

"Good afternoon," he said. "We've been expecting you."

I glanced at my companion.

"Have you?" I asked.

"Well, someone has."

He put down the glass and regarded us with an expression of mild amusement.

"Two rooms?"

"That would be very welcome."

"One overlooking the river, I think. And one facing the garden."

He reached beneath the counter and produced two keys.

"How did you know?" I asked.

He looked genuinely puzzled.

"Know what?"

"That we wanted two rooms."

"Ah." He smiled. "You'd be surprised how often people do."

He rang a small bell, and a young woman appeared from a passageway. She took our bags and led us upstairs.

The rooms were comfortable, with old wooden furniture, clean linen and windows overlooking the places the innkeeper had mentioned. From mine I could see the river passing beneath the bridge. Beyond it, the forest rose darkly against the mountains.

On the windowsill stood a small clay pot containing a single white flower.

I had never seen one quite like it.

When we returned downstairs, the innkeeper was setting two bowls of soup on a table near the fire.

"You're staying a while?" he asked.

"We haven't decided."

"That's usually how it begins."

He brought us bread and a jug of something that smelled rather like cider.

I asked him about the village.

"It's an old place," he said. "Older than it looks, certainly. The river has always been here. The village has moved about a little."

"Moved?"

"Not very far. Just enough."

He seemed to regard this as an ordinary matter.

"And the forest?"

He glanced towards the window.

"That depends on which part you mean."

"Are there different parts?"

"Of course."

He returned to polishing his glass.

"There's the part people walk in, the part people get lost in, and the part people don't generally discuss."

I waited for him to elaborate.

He didn't.

Instead, he looked towards the door, where a young boy had just entered carrying a basket of mushrooms.

"Ah," he said. "There you are. I wondered when you'd come."

The boy put the basket on the counter.

"These aren't for you," he said.

"I never said they were."

"They're for the house by the waterfall."

The innkeeper nodded.

"Of course they are."

The boy turned to leave, then stopped and looked at us.

"You're the travellers," he said.

"We are."

He studied us for a moment.

"Don't take the path beside the river after sunset."

"Why not?"

He shrugged.

"Because it goes somewhere else."

Then he was gone.

The innkeeper sighed.

"Young people," he said. "Always making things sound mysterious."

He picked up the basket of mushrooms.

"Now, would you care for something to drink?"

1. The Valley Beyond the Mountains

The road had been climbing since morning.

For much of the day it had passed through open country, where low hills rolled away beneath a wide sky. There were occasional farms, their fields enclosed by old stone walls, and once we passed a small chapel whose bell had long since fallen silent.

But as the afternoon wore on, the hills drew closer together. The road narrowed, the trees became taller, and the air grew cooler.

Then, quite unexpectedly, the trees opened.

Below us lay a valley.

A river wound through it, catching the afternoon light. On its banks stood scattered houses, some of stone, others timber-framed, with gardens descending towards the water. Smoke rose from several chimneys. Beyond the houses, meadows climbed towards a great forest covering the lower slopes of the mountains.

Farther away, where the valley narrowed, we could just make out a pale line of water falling from a cliff.

There was something unusual about the place, though I couldn't immediately say what it was.

It looked inhabited, certainly. There were sheep in the fields, laundry hanging beside one cottage, and a man pushing a barrow along a lane. Yet the settlement seemed remarkably quiet.

A little way below us, the road crossed a stone bridge and entered the village.

Beside the bridge stood an old wooden sign. Its lettering had weathered almost beyond recognition. Only one word remained legible:

INN

We looked at one another.

"Well," I said, "I think we have found somewhere to stay."

As we approached the bridge, an elderly woman came out of a garden carrying a basket of apples.

"You're a little late," she said.

"Late for what?" I asked.

She considered this, then smiled.

"Oh, nothing in particular. You'll find out."

She continued down the road.

We crossed the bridge.

The river was running unusually quietly beneath us. On the far bank, a narrow path led away from the village and disappeared beneath the trees.

I thought I saw someone standing there.

But when I looked again, the path was empty.

Saturday, 31 October 2026

The Mountain That Danced Like a Flame

Beyond the western fields of Cill Rónáin stood a mountain that was dark even in summer.

Its slopes were covered in heather and rough grass, and its summit was often hidden by cloud. The villagers called it the Sleeping Mountain, because nothing ever seemed to move upon it.

Yet on Samhain, strange lights sometimes appeared along its upper slopes.

Some said they were fires. Others said they were stars that had fallen from the sky. An old woman who lived near the fairy fort insisted they were the lanterns of the Aos Sí.

“Whatever they are,” she would say, “they are not waiting for us.”

A shepherd named Cormac had watched the mountain all his life.

He knew its paths and hollows, where the sheep sheltered from the wind, and where the heather grew thickest. He had climbed to its summit many times, but had never seen anything unusual.

Then, one Samhain evening, he heard music.

It came from the mountain, though the sound seemed to rise from the earth itself. Pipes and strings played a tune he had never heard, yet somehow knew.

He looked towards the summit.

Lights were moving there.

They danced across the dark slopes, appearing and disappearing among the rocks. Some were white, some golden, and others shone with a deep red light, like embers beneath ash.

Cormac took his staff and began to climb.

The music grew louder as he ascended. He passed the last of the sheep, crossed a narrow stream, and followed a path that he had never noticed before.

At the summit, he found a gathering.

The Aos Sí were dancing.

They moved in great circles around a fire that gave no smoke. Their clothes shone with colours that changed as they turned, and their laughter carried across the mountain.

Some danced with their arms raised above their heads. Others leapt and spun so lightly that they seemed to have forgotten the ground.

At the centre stood a woman with long dark hair.

She watched Cormac approach.

“Ah,” she said. “We've been waiting for you.”

Cormac looked around.

“For me?”

“Of course.”

“But I don't know how to dance.”

The woman laughed.

“Neither did the mountain.”

She held out her hand.

Cormac hesitated.

“Will I know the steps?”

“There are no steps.”

“Then how do you know where to go?”

The woman smiled.

“You go where the music takes you.”

She drew him into the circle.

At first Cormac felt awkward. His boots caught in the grass, and he nearly stumbled over his own feet. The others laughed, but not unkindly.

Then the music changed.

A deep rhythm rose beneath the melody, like the beating of a great heart. Cormac felt it in his feet, then in his legs, and finally throughout his body.

He began to move.

He turned and leapt, and the mountain seemed to turn with him. The grass swept beneath his feet, the rocks shifted in the darkness, and the great slopes rolled away beneath a sky filled with stars.

The Aos Sí danced faster.

Their laughter became part of the music. Their movements became flashes of light, and the fire at the centre of the circle rose higher and higher until it seemed to reach the clouds.

Cormac danced with the woman, with an old man whose beard glittered with frost, and with a child who seemed to have no weight at all.

He danced until he could no longer tell whether he was moving or the mountain was moving beneath him.

Then the music stopped.

Everyone stood still.

The woman took Cormac's hand.

“Look.”

He turned towards the valley.

The mountain was dancing.

Its dark slopes shimmered with light. Great waves of colour moved across the heather, and the summit seemed to rise and fall like a flame in the wind.

Cormac stared in wonder.

“Will it always be like this?”

The woman shook her head.

“Only when it remembers.”

“What does it remember?”

She looked towards the fire.

“Everything that has ever danced upon it.”

Cormac watched the lights moving across the slopes.

He thought he saw figures among them: shepherds, children, old men and women, and people whose faces he did not recognise. They were all dancing, though some seemed to belong to another age.

Then he saw himself.

A small boy stood among the figures, laughing as he chased a lamb across the hillside. Cormac remembered the day. He had been no more than six years old.

He watched the boy disappear among the lights.

“Was that me?” he asked.

The woman smiled.

“Who else?”

Cormac looked towards the valley again.

Far below, he could see the lights of Cill Rónáin. His cottage stood among the dark fields, and a small fire glowed in its window.

He suddenly remembered how long he had been away.

“I must go home.”

The woman nodded.

“Of course.”

“Will the dancing stop?”

“No.”

“Will I see you again?”

She laughed.

“You are asking the wrong question.”

“What should I ask?”

“Whether you will dance again.”

Cormac looked at the circle.

The music was beginning once more.

He stepped away from the fire.

Then he turned back.

“Just one more dance.”

The woman held out her hand.

“That's what everyone says.”

They danced until the stars began to fade.

When Cormac finally descended the mountain, the first light of morning was appearing over the eastern fields.

The mountain was dark again.

There were no lights upon its slopes, no music in the air, and no sign of the gathering.

Cormac returned to his cottage.

His wife was waiting at the door.

“Where have you been?” she asked.

He looked towards the mountain.

“Dancing.”

She regarded him for a moment, then laughed.

“You're too old for dancing.”

Cormac smiled.

“Perhaps I was.”

He went inside.

For the rest of that winter, he found himself moving differently. When he walked, his feet seemed lighter. When he worked, he sometimes hummed a tune he could not remember learning.

And when the wind passed over the mountain, he heard the faint sound of music.

Many years later, when Cormac was an old man, his granddaughter asked him whether the mountain had really danced.

He looked towards the western hills.

“Have you never seen it?”

She shook her head.

“Then you must watch on Samhain.”

“But what if there is nothing there?”

Cormac smiled.

“Then you must listen.”

That evening, the girl climbed the mountain alone.

The sky was dark, and the first stars were appearing. She reached the summit just as a light rose from the ground.

Music filled the air.

The Aos Sí were gathering.

The woman with the dark hair stood beside the fire.

She looked at the girl and smiled.

“Ah,” she said. “We've been waiting.”

The girl looked around.

“Have you been waiting for me?”

The woman laughed.

“For someone who would ask.”

She held out her hand.

The girl took it.

And far below, in Cill Rónáin, the old shepherd awoke from his sleep.

He heard the music.

He smiled, and turned towards the mountain.

For a moment, the dark slopes shone like a flame.

Then the mountain began to dance.

The Tide That Ran Beneath the Stars

There was no sea near Cill Rónáin, but on certain Samhain nights the people of the village heard waves beyond the western hills.

Some said it was the wind moving through the trees. Others said it was the sound of the Aos Sí travelling through the night.

A woman named Éabha had heard it since childhood.

Her grandmother had told her that the sea was not always where people expected to find it.

“Sometimes,” she had said, “the tide comes looking for us.”

Éabha had never understood what she meant.

Then, one Samhain evening, she heard laughter beyond the fields.

She followed it towards the hills, carrying a lantern. The sound grew louder as she climbed, until she reached a narrow path that led down between two great rocks.

At the bottom lay a shore.

Éabha stopped.

There had never been a shore there before.

A wide sea stretched beneath the night sky, its surface shining with the light of countless stars. But the stars were not reflected in the water. They seemed to lie beneath it, moving slowly through its depths.

A group of people stood on the sand.

They were dressed in bright colours, and some carried lanterns. Others were laughing and calling to one another as they ran towards the waves.

One woman noticed Éabha.

“Come along!” she called.

Éabha looked at the water.

“Where are you going?”

The woman laughed.

“Where else?”

She ran forward and stepped onto the sea.

Éabha watched in astonishment as the woman continued running across the waves. Her feet touched the surface lightly, as though she were crossing a meadow.

Others followed her.

Some ran, some danced, and some simply drifted above the water, carried by a current that seemed to have no direction.

The woman returned.

“Are you coming?”

Éabha hesitated.

“Will I sink?”

“Not unless you intend to.”

The woman took her hand.

Together they stepped onto the water.

It was cool beneath Éabha's feet, but firm enough to bear her weight. She took another step, then another, and soon she was running beside the others.

The sea stretched endlessly before them.

They ran beneath constellations that shifted and rearranged themselves overhead. Sometimes the waves rose around them like great silver walls, and sometimes the water became as smooth as glass.

Éabha saw fish moving beneath her feet. They were unlike any fish she had seen before: some carried little lights in their mouths, others had wings, and one enormous creature swam slowly beneath the stars, its scales shining like a field of blue flowers.

“Where are we?” she called.

The woman beside her smiled.

“On the tide.”

“But where does it go?”

“Everywhere.”

They ran on.

Before long, Éabha noticed that the others were carrying things.

A man held a broken wooden toy. A girl carried a little red shoe. An old woman held a bundle of letters tied with ribbon.

Éabha asked the woman beside her about them.

“They are things the sea has kept.”

“Why?”

“Because someone was looking for them.”

They came to a place where the tide widened into a great shining plain. There, the runners began to slow.

A small boat drifted towards them.

It was old and weather-beaten, with a broken mast and a little lantern hanging from its bow.

Éabha recognised it.

Her father had made such a boat for her when she was a child. She had lost it one summer afternoon, when the river had carried it away.

She had searched for it for years.

“Is it mine?” she asked.

The woman looked at the boat.

“Was it?”

Éabha reached out.

The boat came towards her.

Inside lay a small wooden figure, carved in the shape of a bird. She remembered her father making it, sitting beside the fire, while she watched.

She picked it up.

Then she saw a man standing on the other side of the boat.

He was holding a lantern.

Éabha knew him at once.

Her father had been dead for many years.

He looked just as she remembered him, though perhaps a little younger. He smiled and held out his hand.

“Have you come to fetch your boat?” he asked.

Éabha could not speak.

Her father looked at the little wooden bird.

“I wondered where that had gone.”

She began to cry.

He reached towards her, but the boat moved gently between them.

“Will you come with us?” she asked.

He looked towards the distant stars.

“Not tonight.”

“Will I see you again?”

He smiled.

“You have already found me.”

Then the boat drifted away.

Éabha watched it until its lantern became a tiny point of light.

The woman beside her touched her shoulder.

“The tide is turning.”

Éabha looked towards the horizon.

The sea was beginning to move. The stars beneath it were drawing together, forming a long silver path towards the shore.

The others began to run.

Éabha followed.

They crossed the waves, laughing and singing, until the sand appeared beneath their feet. The woman released her hand.

“Will you come again?” Éabha asked.

The woman smiled.

“Whenever the tide comes looking for you.”

Then the people began to disappear among the rocks.

Éabha climbed the path towards the hills.

When she reached the top, she turned back.

There was no sea.

Only the dark fields of Cill Rónáin, the distant trees, and the stars above them.

She returned home carrying the little wooden bird.

Her mother was sitting beside the fire.

When she saw it, she put down her knitting.

“Where did you find that?”

“On the sea.”

Her mother looked at her for a long time.

Then she smiled.

“Your father would have liked that.”

Éabha placed the bird on the mantelpiece.

Years passed.

She grew old, and the village changed around her. The fields were divided, the old roads widened, and the children no longer believed that there was a sea beyond the hills.

But every Samhain, Éabha heard the waves.

Sometimes she heard laughter too.

One evening, her granddaughter came to sit beside her.

“Grandmother,” she asked, “is it true that you once ran across the sea?”

Éabha smiled.

“I did.”

“Was it frightening?”

“Not at all.”

“What was it like?”

Éabha looked towards the window.

“Like running home, though I had never been there before.”

Her granddaughter was quiet for a while.

Then she asked, “Do you think I might see it?”

Éabha took her hand.

“Listen carefully tonight.”

Later, when the house was dark, the child woke to the sound of waves.

She went to the window.

Beyond the fields, beneath the stars, a silver tide was running over the hills.

And on its shining surface, someone was dancing.

The Night the Wind Came Calling

For most of his life, Seán had been content to remain in Cill Rónáin.

He knew the fields, the river, the hills beyond the village, and every bend in the road between his cottage and the old fairy fort. He knew when the swallows would return, where the blackberries ripened, and which trees sheltered the best birdsong.

He had never wanted to travel.

Yet, as the years passed, the familiar landscape began to seem smaller. The same paths led to the same places, the same seasons brought the same changes, and even the evening sky appeared to have grown accustomed to showing him the same stars.

On Samhain, he sometimes heard music beyond the hills.

It was a strange music, made of pipes and strings and something that sounded like wind moving through leaves. He had heard it since childhood, but never clearly enough to follow.

One evening, as he sat beside his fire, the music came again.

This time it was accompanied by laughter.

Seán went outside.

The night was clear, and the moon shone over the fields. Beyond the fairy fort, a line of figures was moving across the hillside. They seemed to be walking, though their feet did not touch the ground.

One of them stopped.

He was a tall man dressed in green, with a silver clasp at his shoulder. He looked towards Seán and raised a hand.

“Are you coming?”

Seán glanced back at his cottage.

“Where?”

The man laughed.

“Out.”

“Out where?”

“Why, out of here.”

Seán looked towards the hills.

“I don't know the way.”

“Neither do we,” said the man. “That's half the pleasure.”

He held out his hand.

Seán hesitated, then took it.

The wind rose around them.

The cottage, the fields, and the village fell away beneath a great rush of air. Seán felt himself lifted from the ground, though the man's hand remained warm and solid in his own.

They rose above the hills.

Below them, the river shone like a silver ribbon. The woods became dark patches among the fields, and the houses of Cill Rónáin dwindled to little points of light.

Seán expected to feel afraid.

Instead, he began to laugh.

The man in green laughed too.

“That's better!” he shouted.

They flew across the countryside, following no road and no particular direction. Sometimes the wind carried them low over the trees, where Seán could see owls turning their heads to watch them. Sometimes they rose above the clouds, where the moon seemed close enough to touch.

Other figures joined them.

A woman with golden hair swept past, singing. Two young men raced each other through the clouds, their laughter trailing behind them like sparks. A little girl rode upon a gust of wind, standing upright with her arms outstretched.

“Who are they?” Seán called.

“Friends,” said the man in green.

“Where are we going?”

“Wherever the wind takes us.”

They passed over mountains he had never seen, and lakes that reflected unfamiliar stars. They crossed a wide plain where thousands of lights moved like fireflies, and a dark forest where the trees bent aside to let them through.

At last they came to a hill beneath a sky filled with unfamiliar constellations.

There, the Aos Sí had gathered.

They sat upon the grass, ate from silver dishes, and drank from cups that seemed never to empty. Music rose among them, and soon they were dancing.

Seán watched for a while, then found himself drawn into the circle.

He danced with the woman who had been singing in the clouds. He danced with the little girl who had ridden the wind. He danced with an old man whose beard was full of stars.

He had never danced like that before.

The music seemed to enter his feet, his hands, his breathing. He forgot the weight of his body and the passage of time. When the music stopped, he found himself laughing so hard that he had to sit down.

The man in green brought him a cup.

“Have you enjoyed yourself?”

Seán nodded.

“More than I can say.”

“Then you should come again.”

“I will.”

The man looked towards the horizon.

“Will you?”

Seán followed his gaze.

Far away, beneath the stars, he could see the hills of Cill Rónáin.

“Is it morning already?” he asked.

“Not yet.”

“Then I have time.”

The man in green smiled.

“Time is not the difficulty.”

“What is?”

“Remembering where you are going.”

Seán looked down at the village.

He could see his cottage, with its small window and the fire still glowing in the hearth.

For a moment he felt the old pull of home.

Then the wind rose again.

“Come,” said the man.

They flew towards the hills.

As they descended, Seán saw the familiar fields and the old fairy fort. The wind carried him gently towards his cottage, where he landed beside the door.

The man in green stood a little way off.

“Will I see you again?” Seán asked.

The man smiled.

“You will hear us.”

Then he turned and disappeared into the darkness.

Seán went inside.

The fire was still burning. His cup stood beside the hearth, and the clock had scarcely moved.

He sat down and looked at his hands.

They seemed to remember the dance.

For many days afterwards, he found himself listening to the wind. It moved through the trees, across the fields, and around the cottage walls. Sometimes he thought he heard music in it.

Then, on the following Samhain, he heard laughter beyond the hills.

He went outside.

The moon shone over the fields, and the old fairy fort stood dark beneath the hawthorn tree.

A figure in green was waiting beyond it.

This time Seán did not hesitate.

He stepped into the wind.

And the wind, which had been waiting all year, lifted him into the night.

The House That Moved When Nobody Was Looking

There was a house in the hills beyond Cill Rónáin that nobody could quite locate.

An old shepherd remembered seeing it beside the river, where the ground was too marshy for a house to stand. A farmer insisted it had once occupied the end of the village lane, though his father had said it was already there when he was a boy. An elderly woman maintained that she had been born in it, but could never remember where she had gone to school.

The house appeared most often around Samhain.

People who had seen it described a stone building with a red door, a chimney, and three windows facing the west. Beyond that, their accounts differed.

Some said it stood beneath a hill. Others said it stood on top of one. One man claimed that he had walked past it every morning for forty years without noticing it, until one evening it was standing in his garden.

Nobody could explain how it moved.

Nobody could explain why it moved.

And nobody could remember seeing it actually move.

A young woman named Aisling first encountered the house on her way home one Samhain evening.

She had been visiting her aunt in the neighbouring village and had taken a path through the hills to avoid the long road. The light was fading, and a cold mist had begun to gather in the hollows.

She saw the house quite suddenly.

It stood beside a low stone wall, with a red door and a curl of smoke rising from its chimney. A lamp burned in one of the windows.

Aisling was certain she had never seen it before.

She approached the door and knocked.

It opened almost immediately.

An elderly woman stood inside.

“Ah, there you are,” she said. “We were beginning to wonder.”

“I'm afraid you've mistaken me for someone else,” Aisling replied.

The woman looked at her carefully.

“Have I?”

“I don't know this house.”

“That's all right,” said the woman. “The house knows you.”

She stepped aside.

Aisling hesitated, then entered.

The room was warm and comfortably furnished. A fire burned in the hearth, and a table was laid for supper. A man's coat hung beside the door, and a pair of muddy boots stood beneath it.

“Will you be staying?” the woman asked.

“Only for a moment. I need to get home.”

“Of course. Supper will be ready shortly.”

Aisling looked around.

There was something familiar about the room. The wooden dresser, the blue crockery, the little clock above the fireplace — she seemed to have seen them before.

Then she noticed a photograph on the mantelpiece.

It showed a small girl standing beside a woman in front of the house.

The girl was Aisling.

She recognised the coat she was wearing. It had belonged to her mother, and she had worn it on the day of her seventh birthday.

She picked up the photograph.

“Where did you get this?”

The old woman glanced at it.

“It's been here for years.”

“But this is me.”

“Yes.”

“And my mother.”

“Yes.”

Aisling turned the photograph over. There was no inscription.

“When was this taken?”

The woman looked puzzled.

“When you came.”

“Came where?”

The woman smiled.

“Home, of course.”

Before Aisling could answer, a man entered from the adjoining room.

He was tall, with grey hair and a neatly trimmed beard.

“Is supper ready?” he asked.

“Nearly,” said the woman.

He turned towards Aisling.

“Have you brought the child?”

“What child?”

The man looked surprised.

“The little girl, naturally.”

Aisling stared at him.

“I haven't brought anyone.”

He seemed disappointed, but not particularly concerned.

“Perhaps next time.”

Then he went into the kitchen.

Aisling looked at the old woman.

“Who are these people?”

The woman was arranging plates on the table.

“People who live here.”

“But where is here?”

The woman stopped.

“Why, here.”

Aisling felt that she was getting nowhere.

She walked through the adjoining rooms, hoping to find a door leading outside. The house seemed larger than it had appeared from the road. A narrow passage led to a small sitting room, where a young man was reading beside the window.

He looked up.

“Hello, Aisling.”

She stopped.

“Do I know you?”

“Of course.”

“Who are you?”

The young man closed his book.

“You used to come here every Thursday.”

“I don't think I ever did.”

“You did when you were young.”

Aisling looked at him more closely.

He had the face of someone she recognised, though she could not place him. Then she realised that he looked rather like her brother, who had died when she was a child.

“Are you...?”

The young man smiled.

“Not quite.”

He returned to his book.

At the end of the passage was a door she had not noticed before. She opened it and found a bedroom.

It was her childhood bedroom.

The little wooden bed stood beneath the window. Her old dolls were arranged on a shelf, and a faded blue dress hung behind the door.

On the bedside table lay a book she had been given for her tenth birthday.

Aisling picked it up.

Inside the cover, in her mother's handwriting, were the words:

For Aisling, when she is old enough to understand.

She had never seen the inscription before.

She turned towards the window.

It looked out upon her own cottage in Cill Rónáin.

She could see the kitchen, the lamp burning above the table, and the little garden beyond the back door.

Then she saw herself.

Aisling was standing outside her cottage, just as she had been earlier that evening, preparing to leave for her aunt's house.

The other Aisling turned towards the door.

The young woman at the window stepped back.

She watched as her other self entered the cottage and closed the door.

A moment later, a light appeared in the window.

She heard footsteps behind her.

The old woman had followed her into the room.

“It's time you went home,” she said.

Aisling pointed towards the window.

“But I'm already there.”

The old woman looked out.

“Yes,” she said. “You are.”

“Then which one of us is here?”

The woman considered this.

“Both, I should think.”

Aisling turned towards her.

“Does this house belong to my family?”

The old woman smiled.

“Your family has belonged to this house for a very long time.”

“But I don't understand.”

“Not everyone does.”

Aisling followed her back through the passage.

The man was sitting at the table now, and the young man had joined him. There was an empty chair between them.

“Will you not stay for supper?” the old woman asked.

“I really must go.”

“Of course.”

She opened the front door.

Outside, the mist had lifted. Aisling could see the hills and, in the distance, the lights of Cill Rónáin.

She stepped out.

“Will I find this house again?” she asked.

The old woman stood in the doorway.

“When you need it.”

Aisling looked back.

“Where will it be?”

The woman laughed.

“Where it always is.”

Then she closed the door.

Aisling walked down the path towards the village.

When she reached home, her kitchen lamp was still burning. Her coat was hanging behind the door, and her boots stood beneath it.

She looked at the clock.

It was the same time as when she had left.

On the table lay the book she had seen in the bedroom.

She opened it.

The inscription was still there, but beneath it, in a handwriting she did not recognise, someone had added:

For Aisling, when she remembers where she has been.

She put the book away.

The following morning she asked her aunt whether she knew of an old house in the hills.

Her aunt looked up from her tea.

“Which one?”

“The house with the red door.”

“Oh,” said her aunt. “That one.”

“Do you know where it is?”

Her aunt thought for a moment.

“Your grandmother was born there.”

“I thought she was born in the cottage by the river.”

“She was.”

“But you just said—”

“I know what I said.”

Aisling waited.

Her aunt stirred her tea.

“Your grandmother used to say that the house moved whenever nobody was looking. She said it had been doing so for generations.”

“Why?”

Her aunt shrugged.

“Perhaps it was looking for somewhere to settle.”

“And did it ever find somewhere?”

Her aunt looked towards the window.

“I believe it did.”

That evening Aisling went into the garden.

The mist was gathering over the fields, and beyond the stone wall she could see the dark outline of the hills.

For a moment she thought she saw a chimney.

Then a light appeared in the distance.

She watched it for a long time.

The following morning, her neighbour came to borrow a spade.

“Have you seen it?” he asked.

“Seen what?”

“The old house. It's standing beside my garden.”

Aisling looked at him.

“Are you sure?”

“Of course I'm sure. Red door, three windows, smoke coming from the chimney.”

He paused.

“Strange thing is, I was born in that house.”

Aisling smiled.

“Were you?”

The neighbour nodded.

“Though I can't remember where it used to be.”

That night, as the village settled into sleep, a light appeared in the upper window of the old house.

Someone stood behind the curtain, looking out.

And somewhere in Cill Rónáin, a child woke from a dream and asked her mother why their house had moved.

Her mother told her to go back to sleep.

But in the morning, the child would remember that the house had been somewhere else.

And that someone had been waiting for her.

The Village Beneath the Water

There was a millpond beyond the western fields of Cill Rónáin, though the mill had long since fallen into ruin.

Its water was dark and still, sheltered by alder trees and an old stone wall. In summer, dragonflies skimmed its surface. In winter, a thin skin of ice sometimes formed along the edges.

The villagers seldom visited it after sunset.

They said that on Samhain the pond reflected things that were not above it.

Some had seen unfamiliar stars. Others had seen trees growing where the fields should be, or houses whose windows shone in the darkness. One old man claimed he had seen the moon rising twice: once in the sky and once beneath the water.

Most people dismissed such accounts.

But a woman named Eileen had reason to believe them.

When she was a child, her grandmother had taken her to the pond one evening and shown her a small village reflected beneath the surface.

“Look carefully,” her grandmother had said. “Do you see the lights?”

Eileen had seen them: a row of houses, a narrow street, and a little church with a bell tower. The village seemed to lie beneath the pond, though there was no depth to the water that could contain it.

“Where is it?” she had asked.

Her grandmother had smiled.

“Somewhere people go when they have finished being here.”

Eileen had asked whether they could visit it.

“Not tonight,” her grandmother said. “And perhaps not by walking.”

The following year, her grandmother died. Eileen grew up, married, and eventually returned to Cill Rónáin to live in the cottage where she had been born.

For many years she did not think about the village beneath the water.

Then, one Samhain evening, she found herself walking towards the old millpond.

The air was cold, but the water was perfectly still. She stood beneath the alders and looked down.

At first she saw only the dark outline of the trees.

Then a light appeared.

It shone from a window in a small house beside a narrow street. Eileen recognised the house immediately.

It was her grandmother's cottage.

She could see the little window beside the fireplace, the flowerpot on the sill, and the familiar chair in which her grandmother had always sat.

A figure moved behind the curtain.

Eileen leaned closer.

The figure drew back the curtain and looked out.

It was her grandmother.

She was younger than Eileen remembered her, and she was smiling.

Eileen whispered her name.

The figure raised one hand.

Then another light appeared in the reflected village. A door opened, and someone stepped into the street.

It was a man carrying a lantern.

Eileen recognised him too. He had been the miller, who had died before she was born.

He looked towards the water and called something she could not hear.

The reflection trembled.

For a moment, the village seemed to rise towards her. She could see the roofs, the chimneys, the church tower, and people moving between the houses.

Then the surface became dark again.

Eileen stood there for a long time.

The following evening she returned with a lantern.

The village appeared almost at once. This time she saw more of it: a market square, a bridge, a row of cottages, and a road leading away towards distant hills.

At the end of the road stood a woman.

Eileen recognised her as herself.

Not as she was now, but as a little girl.

The child was holding her grandmother's hand.

Eileen watched as the two figures walked towards the reflected cottage and disappeared through its door.

She felt a sudden longing to follow them.

“Don't,” said a voice behind her.

Eileen turned.

An old man stood beside the wall. He wore a dark coat and carried a walking stick.

“Why not?” she asked.

“Because you are looking at the wrong side.”

“What do you mean?”

The old man looked down at the pond.

“You think the village is beneath the water.”

“Isn't it?”

“Perhaps the water is beneath the village.”

Eileen looked again.

The reflected houses seemed to be standing on solid ground. The road was dry, and smoke rose from the chimneys. Beyond the village, she could see hills beneath a pale evening sky.

The old man tapped his stick against the stone wall.

“Some people come here to look for those they've lost,” he said. “Others come because someone there is looking for them.”

“Have you seen anyone you know?”

The old man smiled.

“I have seen people I have not yet met.”

He turned towards the trees.

“Come back another evening. The village is not always the same.”

Then he walked away.

Eileen returned several times during the following weeks. Sometimes the pond showed only the trees and sky. Sometimes it revealed the village, but never in quite the same form.

Once she saw a street she had never visited, with a bakery and a shop selling flowers. Another time she saw a river running through the village, although no river appeared in the landscape above.

On one occasion she saw a house with a light in its upper window.

A child stood there, watching her.

The child looked very much like her own daughter.

But Eileen's daughter was asleep at home.

She hurried back to the cottage.

The child was indeed asleep, though when Eileen entered the room she found the window open and a small white flower lying on the pillow.

She recognised it as one of the flowers that grew beside the millpond.

Years passed.

Eileen grew old. Her daughter married and moved away, and the cottage became quiet.

On another Samhain evening, Eileen returned to the pond.

The village was there.

This time she saw her grandmother's cottage, the little church, and the market square. But she also saw a new house at the end of the street.

Its windows were lit.

A woman stood in the doorway.

Eileen recognised her daughter.

Beside her stood a young girl, holding her hand.

Eileen watched as the child looked towards the water.

Then the girl raised her arm and waved.

Eileen waved back.

Behind her, someone laughed.

She turned and saw the old man standing beneath the alders.

“You know her?” he asked.

“She is my granddaughter.”

The old man nodded.

“Then she has found the village.”

“Will she come here?”

The old man looked at the water.

“She is already there.”

Eileen turned back.

The little girl had gone inside the house. A moment later, a light appeared in the window of the cottage beside it.

Someone was standing there.

It was Eileen herself.

She was young again, and her grandmother was beside her.

The two women were looking out towards the pond.

Eileen raised her hand.

Her younger self did the same.

For a moment, the two reflections seemed to be looking directly at one another across the water.

Then the wind stirred the surface, and the village dissolved into ripples.

Eileen remained beneath the trees until the stars appeared.

When she returned home, she found a small bowl of water on the kitchen table.

She had not left it there.

The water was perfectly still.

And in its depths, a village was waiting.