Monday, 12 January 2026

Culture: The Aesthetics of Coordination: 1 Culture Is Not Expression but Training

Culture is commonly treated as expression: a way for individuals or groups to articulate who they are, what they believe, or how they see the world. On this view, cultural forms are outward manifestations of inner states — identities, values, commitments — waiting to be interpreted.

This picture is reassuring. It flatters our sense of agency and preserves the idea that meaning originates inside subjects and merely finds cultural form.

It is also wrong.

Culture does not primarily express what people already are. It trains people in how to coordinate.


Expression Presupposes a Subject

To speak of expression is already to assume a formed subject:
someone with beliefs, tastes, values, or experiences that can be externalised. Culture, on this account, is downstream of identity.

But culturally speaking, the subject is not prior. It is produced.

Before people know what they believe, they learn:

  • what feels normal

  • what feels awkward

  • what feels admirable, embarrassing, serious, funny, or excessive

These are not propositions. They are coordination cues.

Culture does not wait for a subject to speak. It teaches the subject how to speak, how to feel, and when to align.


Training Without Instruction

Cultural training rarely looks like training. There are no lessons, no exams, no explicit rules. Instead, there is repetition, saturation, and affective reinforcement.

Through music, images, narratives, genres, styles, and pacing, culture trains:

  • temporal expectations (what counts as timely or outdated)

  • affective responses (what to feel before knowing why)

  • normative boundaries (what “goes without saying”)

This training happens prior to reflection. By the time beliefs form, the field of intelligibility is already shaped.


Why Recognition Feels Like Authenticity

People often describe cultural uptake as recognition: “This speaks to me,” “This feels like me,” “This is my kind of thing.”

But recognition is not evidence of expression. It is evidence of successful training.

What feels authentic is often what is already coordinated:

  • familiar rhythms

  • recognisable distinctions

  • affective patterns that require little effort

Culture feels expressive precisely because its training has been effective enough to disappear.


Coordination Before Meaning

Culture trains people to coordinate before meaning becomes explicit:

  • before ideology

  • before ethics

  • before politics

This is why cultural alignment often precedes articulated belief. People learn how to move together long before they agree on why.

From a relational perspective, culture operates at the level of intelligibility formation, not message transmission. It shapes what can be noticed, tolerated, admired, or rejected — and only later what can be said.


The Political Consequence

If culture is training rather than expression, then political struggle does not begin with arguments or positions. It begins with:

  • rhythms

  • styles

  • genres

  • affects

This explains why:

  • ideological critique often fails to shift cultural alignment

  • aesthetic shifts precede political change

  • power can be exercised culturally without issuing commands

Culture stabilises or destabilises coordination without appearing to do so.


Reframing Cultural Responsibility

Seeing culture as training changes how responsibility appears. Responsibility is not primarily about “what messages we send,” but about:

  • what patterns we reinforce

  • what distinctions we normalise

  • what forms of coordination we make effortless

Cultural responsibility is thus structural rather than expressive.


Closing

Culture is not a mirror held up to identity. It is a field in which identities are rehearsed, stabilised, and revised.

To understand culture as training is not to reduce it to manipulation or control. It is to recognise its actual power:
the power to shape coordination before belief, normativity before morality, and alignment before argument.

In the next post, we will examine how this training operates aesthetically — how alignment occurs through tone, vibe, and form long before ideology appears.

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