Monday, 16 February 2026

Totalitarian-Optimisation in the Liora Trilogy

Liora and the Totalitarian Mirror

The City That Polished Its Mirrors becomes more oppressive under totalitarian-optimisation:

  • The mirrors no longer merely reflect performance; they rank citizens in real time.

  • Gestures, postures, and even fleeting expressions are scored, audited, and reported.

  • Deviations trigger corrective interventions — not suggestions, but enforced “alignment.”

In this version, the city’s motto is unspoken but clear:

“Visibility is virtue. Nonconformance is treason.”

The populace moves with robotic precision. Fear replaces pride. Liora notices, not just a lack of depth, but the erasure of freedom: thought, speech, and action exist only insofar as they are legible to the system.

Her small acts of uncalibrated expression — a glance unmeasured, a smile unrefined — become acts of rebellion. The faint, unpolished corners she discovers introduce unpredictability that the regime cannot fully suppress. Even a single reflection that refuses total compliance is a crack in the facade.


Liora and the Totalitarian Garden

In The Garden That Counted Its Seeds, optimisation is used to enforce absolute conformity:

  • Every plant is not only measured but judged against a central standard.

  • Wild growth is destroyed, and any deviation is framed as a threat to the garden’s purity and the kingdom’s survival.

  • Citizens tasked with gardening are trained to internalise the hierarchy: compliance is moral, deviation is dangerous.

Here, growth is not only constrained by measurement but policed by ideology. Fertility exists only where sanctioned. Liora’s encounter with unscripted seedlings — a tiny sprout in the wall crack — becomes a radical ethical act: allowing life to exist outside prescribed norms.

Her resistance demonstrates that vitality can exist beyond optimisation’s moral and structural authority.


Liora and the Clockwork Sea

In The Clockwork Sea, totalitarian-optimisation transforms stabilisation into control over life itself:

  • Tides are not merely guided; every current, wave, and flow is regulated to serve the kingdom’s economic, military, and social agenda.

  • Fish, seaweed, and even weather patterns are predicted and constrained through mechanical and algorithmic interventions.

  • Citizens are taught to live in alignment with the tides, reducing unpredictability and independence.

Here, optimisation serves hierarchy. Survival is absolute, but freedom, creativity, and vitality are sacrificed.

Liora’s interventions — releasing cogs, letting currents find their own motion — restore irregularity, spontaneity, and life beyond measured order. Her actions show that even under pervasive control, integrity and vitality can reassert themselves in the cracks of a rigid system.


Structural Insight Through Myth

Across these three Liora settings:

  1. Optimisation enables totalitarian potential by making compliance visible, measurable, and enforceable.

  2. Hierarchy and fear are amplified when performance becomes mandatory and deviation punishable.

  3. Human integrity — unmeasured, unpolished, unpredictable — emerges as a form of resistance.

  4. Vitality persists in the unmeasured corners, the cracks, and the moments that systems cannot fully absorb.

In effect, Liora shows us where totalitarian optimisation meets its limits. The myth makes visible not only the danger but also the ethical and practical leverage points: unpredictability, unobserved space, and unpolished action.

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