The Institutional Hearings series asked hard questions: How do our systems — democracy, capitalism, education, governance — diverge from the purposes they claim to serve? Where does optimisation, in its pursuit of stability, efficiency, or visibility, erode the very qualities it purports to uphold?
The Liora trilogy is the answer — not in forensic argument, but in lived, mythical exploration.
In these three stories, Liora moves through worlds shaped by the logic of optimisation:
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In The City That Polished Its Mirrors, she discovers what identity looks like when every gesture is performed for visibility.
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In The Garden That Counted Its Seeds, she witnesses growth constrained by measurement and learns the value of the uncounted.
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In The Clockwork Sea, she encounters stability imposed on life itself and discovers vitality in the unmeasured motion of the world.
The trilogy does not repeat the hearings. It embodies their insight. Where audit revealed divergence and constraint, myth reveals possibility and integrity. Where optimisation structures life, Liora shows us how it can also be lived beyond optimisation.
These stories are a bridge: from analysis to imagination, from exposure to embodiment, from critique to ethical and human possibility.
Step into Liora’s worlds, and observe how life moves — unscripted, unmeasured, and profoundly alive.
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